Friday, 30 October 2009
Cambewell Grove, south London
Saturday, 24 October 2009
The Canteen, Royal Festival Hall, Belvedere Road, central London
An onslaught of clean, modern lines and right angles, this branch of The Canteen, embedded into the back of the modernist Royal Festival Hall, has rows of sturdy wooden tables, mostly flanked by uncomfortable seats or benches with virtually no back to them. There are also tables outside sheltered by large parasols, but the floor-to-ceiling glass windows ensure that the interior is flooded with daylight. At pains to stress the authenticity of The Canteen's free-range ingredients, the menu is made up of unashamedly British fare, covering breakfast, lunch and dinner. Staples include a large leg and thigh of golden roast chicken with a great pile of chips and some garlic mayo (for about a tenner), smoked haddock, spinach and mash (£13) and walnut, tarragon and roast chicken salad (£9.50). The specials might include a modest chicken and mushroom pie, with light fluffy pastry, some delicious creamy mash potato and appetising buttery cabbage, for about a tenner. If you are still hungry, one of the classic deserts, such as treacle tart and cream, will set you back between five and six pounds. Coffees include a good, strong latte. Although service by the young multinational staff can be painfully slow and even forgetful, the fine food is good value and the The Canteen buzzes on a Friday lunchtime. 7/10
Oliver, Theatre Royal, Drury Lane, central London
It would be difficult to ask for more from this extravagant all-singing, all-dancing production of Lionel Bart’s adaptation of Charles Dickens' renown novel about the grim underbelly of Victorian London. Together, the cast and orchestra number about 100 and, during the big set piece songs, such as Consider Yourself At Home, the stage is a whirling mass of carefully choreographed activity that will have you trying to watch four cameos at once. Some of the individual performances are also from the top drawer. Two parts humour, one part melancholy, British-Iranian comedian Omid Djalili, who has taken over from Rowan Atkinson, plays Fagin to near perfection. The comic noises Djalili makes in between sentences, his languid dance moves, mimicked by the smallest of his gang of pickpockets, and his rich repertoire of facial expressions will have you chuckling out loud. Another standout is Tamsin Carroll, the "alternative" Nancy, who has a fine voice, gusto and a fluid, convincing acting style. Ross McCormack is full of sparkling energy as the Artful Dodger and Steven Hartley's Sykes is hoarse, but suitably menacing. The standout scenes include a rousing chorus of Oom Pah, Pah amid the drunkeness and debauchery of the ale house and the amusing introduction to Fagin in his intricate, multi-level underground lair, which is a maze of cubby holes, adorned with rows and rows of silk handkerchiefs.
Friday, 16 October 2009
National Express train, London to Newcastle
The Cannon, Earsdon, Tyne & Wear
Proper mushy peas
Most of the main courses (around six to eight pounds) are served with a choice of chubby chips, decent new potatoes or a jacket potato. On a Saturday lunchtime, the corn-beef hash pie sells out quickly, but the hungry will find the mediocre Highland sausages, served with melted cheese, bacon, proper mushy peas, onion rings and sweet corn, is quite an appetising combination. There are also several different variations on fish, chips and mushy peas. The fish tends to be wrapped in light and relatively-healthy batter, while the flesh inside is succulent. Or you can opt for a large, crisply-cooked baked potato with a prawn mayonnaise topping, a substantial side-serving of tuna, and stacks of fresh salad. There aren't any children's meals and, oddly, the staff insist that you pay in cash straight after your food arrives, rather than when you order. 7/10
Subscribe to:
Posts (Atom)